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They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch,
Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (
Edison), Sharon Stone (
Bobby) and Bruce Willis (
Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity,
Alpha Dog dramatizes one of the most tragically notorious murders in recent history. ! Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit
The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as
Alpha Dog employs split-screen, docudrama, and mock-documentary in! terviews to chronicle a tragic tailspin of reckless events and! lawless behavior.
Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), an! d Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff Shannon They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Stone (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-lif! e case of Jesse James Hollywood, a drug dealer in California's! San Gab riel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.
Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversi! al access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 07/13/2010 Run time: 122 minutes Ratin! g: RWith harrowing intensity, Alpha Dog dramatizes one ! of the m ost tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog emplo! ys split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.
Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstr! ates a remarkable skill with actors (including Sharon Stone, B! ruce Wil lis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 06/28/2011 Rating: RWith harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and! his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold him as collateral until Jake pays his debts. What begins as a casual, seemingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.
Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contr! asts his music-industry stardom with a convincing performance ! as a lik able, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious attempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonStudio: Uni Dist Corp. (mca) Release Date: 03/22/2011 Rating: R They grew up together in the suburbs of LA, living their own version of the American dream, with every day a blur of partying and looking for the next thrill. Johnny (Emile Hirsch, Lords of Dogtown) is the leader in their sordid world of drugs, greed, power and privilege. But when he is double-crossed by another dealer, things quickly begin to spiral out of control, and an impulsive kidnapping leads to a shocking conclusion. Justin Timberlake (Edison), Sharon Ston! e (Bobby) and Bruce Willis (Lucky Number Slevin) co-star in this powerful and controversial film.With harrowing intensity, Alpha Dog dramatizes one of the most tragically notorious murders in recent history. Ripped from the headlines, writer-director Nick Cassavetes' flawed but riveting crime drama (a polar opposite to his previous film, the romantic hit The Notebook) is based on the real-life case of Jesse James Hollywood, a drug dealer in California's San Gabriel Valley who, in 2000, became one of the youngest men to appear on the FBI's Ten Most Wanted list. Names and details have been changed, but the criminal circumstances remain the same: With family links to organized crime, Johnny Truelove (Emile Hirsch) is on the warpath against Jake Mazursky (Ben Foster), a sleazebag addict who owes him money. Fate intervenes when Johnny and his stoner pals including Frankie (Justin Timberlake) encounter Jake's 15-year-old half-brother Zack (Anton Yelchin) and hold hi! m as collateral until Jake pays his debts. What begins as a ca! sual, se emingly harmless situation escalates into a crisis of capital crime, as Alpha Dog employs split-screen, docudrama, and mock-documentary interviews to chronicle a tragic tailspin of reckless events and lawless behavior.
Cassavetes himself became part of the real-life drama when prosecutors (hoping to locate then-fugitive Jesse James Hollywood, who was captured in 2005) gave him legally controversial access to their case files. Alpha Dog clearly benefits from this inside information, and while the film's grueling depiction of underage squalor (including rampant drug and alcohol abuse) is inevitably off-putting and at least partially exploitative, there's no denying that Cassavetes has worked wonders with a well-chosen ensemble cast including Timberlake, who contrasts his music-industry stardom with a convincing performance as a likable, not-too-bright party animal who quickly gets in over his head. The film is ultimately compromised by Cassavetes' ambitious a! ttempt to cover too much dramatic territory, but like his father John before him, he demonstrates a remarkable skill with actors (including Sharon Stone, Bruce Willis, and Harry Dean Stanton in supporting roles), and Alpha Dog is full of powerful, dangerous moments that aren't easily forgotten. --Jeff ShannonWe can learn a lot from dogs-- both wild and domestic. Dogs are not only man's best friends, they are also a source of powerful lessons for our character and our relationships. There are different ways to pursue women. You can be like a cheetah â€" speedy â€" and skillfully pick up women with your charm and wit. Or you can be like a lion â€" powerful â€" and get women by attracting them with your vast wealth or social position. You might not be like a cheetah or a lion, but anyone be like a wild dog. Wing Girl Kim gives a woman's perspective on dating to offer honest and sound dating advice for men. In AlphaDog, Get The Bitch You Want, she goes beyo! nd pickup tactics and deeper than etiquette. Using the same le! adership principles used in business and combining it with Jungian personality type theory, Kim shows men how to take smarter approach to dating.
Why the hell are we trying to make a horror film about a guy with a paper bag on his head? This, even more than “to be or not to be†was the question for myself and my brother Jay going into shooting Baghead. We had just come off of our first micro-budget feature The Puffy Chair, a sensitive, funny, quirky relationship movie that wowed Sundance, sold big, played incredibly well in theaters, DVD, and TV, and gained us favor in the indie world the world over. So, again, why would we be so stupid as to make a horror movie based around a guy with a bag on his head? 
