Pamela's Products Simplebites Ginger Mini Snapz, 7-Ounce Pouches (Pack of 6)

• Case of six 7-ounce pouches (total of 42 ounces)
• Crunchy, bite-sized wheat- and gluten-free cookies featuring snappy ginger spice
• Ingredients include rice flour, organic naturally evaporated cane sugar, eggs, cinnamon, and cloves
• Non-dairy; no trans fat; certified kosher
• Baked in Ukiah, CA

GINGER SNAPS - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity! . Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker GINGER SNAPS BACK:BEGINNING - DVD MovieGINGER SNAPS 2:UNLEASHED - DVD MovieLike Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialo! gue, and good old-fashioned monster-movie scares) with clever ! black hu mor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstrous wolf on the eve of her first period, her body starts changing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie ! scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Ginger and Brigitte, two sisters trapped in suburbia, are obsessed with mayhem, torture and death until they get a taste of the real thing. Bitten by a wild animal, Ginger begins to mature into a sexy, uncontrolled woman, with some nasty canine tendencied.Like Carrie before it, Ginger Snaps uses horror-movie conventions as an inspired metaphor for puberty. When beautiful but reclusive goth teenager Ginger (Katharine Isabelle) is attacked by a monstr! ous wolf on the eve of her first period, her body starts chang! ing in a big way, as do her suddenly lusty, feral appetites. Director John Fawcett masterfully balances the expectations of teen horror exploitation (blood, bodies, sex, smart dialogue, and good old-fashioned monster-movie scares) with clever black humor and tender sisterly solidarity. Only devoted sister Brigitte (gloomy Emily Perkins) knows the truth, and even as Ginger's abrupt transformation threatens their once unbreakable friendship, bonds of blood and love keep them together: Brigitte disposes of Ginger's victims while searching for a cure. Mimi Rogers costars as their dotty but unexpectedly sensitive mom, ready to sacrifice all to protect her daughter. Blood and blood ties have never been more evocative. --Sean Axmaker Pamela's Products simplebites, ginger mini snapz are all natural, wheat-free, gluten-free with 0 g Trans fat. Pamela's mini cookies are a wonderful addition to our scrumptious line of traditional and organic cookies, crunchy biscotti, and our five fast,! easy & delicious baking mixes. Our products are so delicious. Pamela's ginger mini snapz are the perfect size for snacking; you'll have a hard time stopping with just one! You can also use our mini cookies for making great desserts.

Blast From the Past

• BLAST FROM THE PAST (DVD MOVIE)

The Devil's never been so hot or hilarious! Brendan Fraser is a hapless, love-starved computer technician who falls prey to sinfully sexy Elizabeth Hurley when he agress to sell her his soul in exchange for seven wishes. But the sly Princess of Darkness has more than a few tricks up her... sleeve. And before you can say Fire and Brimstone, Elliot's life becomes a hysterical hell on earth.Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for Alison, the Devil appears (Elizabeth Hurley, Austin Powers) and says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a ! little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (George of the Jungle, Encino Man). Fraser demonstrated in Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (The Mummy) and not so enjoyable (Dudley Do Right). Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is e! ntirely pleasant in her largely straight role, and Hurley fil! ls out h er part by delectably filling out a number of revealing outfits. An enjoyable bit of froth. --Bret FetzerStanley (Moore) is a hapless short-order cook who is hopelessly in love with a waitress named Margaret (Eleanor Bron) - although she barely knows he's alive. Enter George Spiggott (Cook), a.k.a. Satan, who grants Stanley seven wishes in order to win Margaret over, but his efforts are hilariously hampered by the Seven Deadly Sins - including the insatiable Lilian Lust (Raquel Welch)!When the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the! off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to Monty Python's Flying Circus and other absurdist goofballs. Moore is charming enough, but what really makes Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like The Princess Bride and Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles. Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic. --Bret FetzerDisc 1: BEDAZZLED '67 Disc 2: BEDAZZLED '00Brendan Fraser stars in Bedazzled as Elliot, a dweebish office worker who yearns for Alison (played by Frances O'Connor from Mansfield Park), a coworker who barely knows he exists. When he blithely says he'd give his soul for! Alison, the Devil appears (Elizabeth Hurley, Austin Power! s) a nd says she'll give him seven wishes in exchange. Elliot is dubious at first, but agrees out of desperation. Unfortunately, his every wish always leaves the Devil a little wiggle room. When he asks to be rich and powerful, the Devil turns him into a drug lord beset on all sides. When he asks to be a successful, well-endowed writer, the Devil adds a male lover to the mix. The setup and situations are clever, though Bedazzled doesn't delve into any real moral or theological questions and has a little less bite than the original it's based on (from 1968, starring Dudley Moore and Peter Cook). But it does provide some better comic substance than Fraser has had in most of his previous roles (George of the Jungle, Encino Man). Fraser demonstrated in Gods and Monsters that he could hold his own dramatically with the likes of Brit thespian Ian McKellen, and he's consistently been a charming presence in movies enjoyable (The Mummy) and n! ot so enjoyable (Dudley Do Right). Bedazzled may not give him any more movie-making clout, but it does give his fans something to enjoy. O'Connor is entirely pleasant in her largely straight role, and Hurley fills out her part by delectably filling out a number of revealing outfits. An enjoyable bit of froth. --Bret FetzerWhen the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to Monty Python's Flying Circus and other ! absurdist goofballs. Moore is charming enough, but what really! makes < I>Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like The Princess Bride and Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles. Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic. --Bret FetzerStudio: New Line Home Video Release Date: 11/09/2010Coasting on the successes of Gods and Monsters and George of the Jungle, Brendan Fraser turns in yet another winning performance in this fish-out-of-water comedy in which Pleasantville meets modern-day Los Angeles, with predictably funny results. Fraser stars as Adam, who was born in the bomb shelter of his paranoid inventor dad (a less-manic-than-usual Christopher Walken), who spirited his pregnant wife (Sissy Spacek, in fine comic ! form) underground when he thought the Communists dropped the bomb (actually, it was a plane crash). Armed with enough supplies to last 35 years, the parents bring up Adam in Leave It to Beaver style with nary any exposure to the outside world. When the supplies run out, and dad suffers a heart attack, Fraser goes up to modern-day L.A. for some shopping and long-awaited culture shock. More of a cute premise with lots of clever ideas attached than a fully fleshed out story, Blast from the Past is also supposed to be part romantic comedy, as the hunky Adam hooks up with his jaded Eve (Alicia Silverstone) and tries to convince her to marry him and go underground. The sparks don't fly, though, because Silverstone is saddled with the triple whammy of being miscast, playing an underwritten character, and suffering a very bad hairdo. Fraser, however, carries the film lightly and easily on his broad, goofy shoulders, mixing Adam's gee-whiz innocence with genuine emotio! n and curiosity; only Fraser could pull off Adam's first glimp! se of a sunrise or the ocean with both humor and pathos. Also winning is Dave Foley as Silverstone's gay best friend, who manages to make the most innocuous statements sound like comic gems. --Mark Englehart

Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder

• ISBN13: 9780316042994
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Evelyn Waugh's most celebrated novel is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the novel mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous plea-sures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh. At once romantic, sensuous, comic, and somber, "Brideshead Revisited" transcends Waugh's familiar satiric exploration of his cast of lords and ladies, Catholics and eccentrics, artists and misfits, revealing him to be an elegiac, lyrical novelist! of the utmost feeling and lucidity. The edition reprinted here contains Waugh's revisions, made in 1959, and his preface to the revised edition.One of Waugh's most famous books, Brideshead Revisited tells the story of the difficult loves of insular Englishman Charles Ryder, and his peculiarly intense relationship with the wealthy but dysfunctional family that inhabited Brideshead. Taking place in the years after World War II, Brideshead Revisited shows us a part of upper-class English culture that has been disappearing steadily.

Hairspray: Deluxe Edition

• In 1962 Baltimore, chunky Tracy Turnblad (Nikki Blonsky) dreams big: land a gig on the see-and-be-seen TV teen-scene hit The Corny Collins Show, win the heart of the nicest and cutest boy in school (Zac Efron), and strike a blow for civil rights. And whaddaya know it all comes true! Boppin with all the joy of the long-running, award-winning Broadway musical smash and blazing with sublime star powe

In 1962 Baltimore, chunky Tracy Turnblad (Nikki Blonsky) dreams big: land a gig on the see-and-be-seen TV teen-scene hit The Corny Collins Show, win the heart of the nicest and cutest boy in school (Zac Efron), and strike a blow for civil rights. And whaddaya know â€" it all comes true! Boppin’ with all the joy of the long-running, award-winning Broadway musical smash and blazing with sublime star power (including John Travolta and Christopher Walken as Tracy’s devoted, dance-happy mom and dad),! “Hairspray earns knockout status for its humor, heart and high spirits. …a plus-size bundle of fun” (Peter Travers, Rolling Stone).

SPECIAL FEATURES:
2 Commentaries:
• Director Adam Shankman and Co-Star Nikki Blonsky
• Producers Craig Zadan and Neil Meron
5 Fabulous Featurettes:
• Inside the Recording Booth
• It’s Hairspray
• Playing Tracy
• Transform Travolta to Turnblad
• Search for Tracy
Subtitles: English & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled)

While Supplies Last:
• CD sampler featuring 5 songs from the original soundtrackIt's rare that a movie captures the intensity and excitement of a live Broadway musical production while appealing to a broader movie-going audience, but the 2007 Hairspray is an energetic, powerfully moving f! ilm that does just that. A remake of the 1988 musical film Hairspr ay, the new Hairspray is a film adaptation of the 2002 Broadway musical and features more likeable characters than the original film and an incredible energy that stems from a great cast, fabulous new music, and the influence of musical producer Craig Zadan. What remains constant throughout all three versions of Hairspray is the story's thought-provoking exploration of prejudice and racism. Set in Baltimore in 1962, the film opens with chubby girl Tracy Turnblad (Nikki Blonsky) singing her heart out in a rendition of "Good Morning Baltimore" that, while admittedly a bit too long, sets the farcical tone for the film. Viewers quickly become immersed in Tracy's teenage world of popular television dance shows, big hair, the stigma of being different, and the first hesitant steps toward racial integration within a segregated world. The Corny Collins (James Marsden) television dance show is a teenage obsession in Tracy's world and Link Larkin (Zac Efron) is ! every girl's dream partner, so when a call for auditions goes out, Tracy skips school to try out, but is rejected by station manager Velma von Tussle (Michelle Pfeiffer) because of her large size and the threat of competition for Velma's own daughter Amber (Brittany Snow). Perseverance and the support of her friend Penny (Amanda Bynes), father Wilbur (Christopher Walken), and negro dancer Seaweed (Elijah Kelley) lead Tracy to the spotlight and the chance of a lifetime, but more and more Tracy discovers that fairness and equality for those who are different does not come without a fight and that sacrifices must be made to effect change. While the message is serious, Hairspray is first and foremost a comedy with stellar performances by John Travolta as Edna Turnblad (who ever imagined Saturday Night Fever's iconic star would appear onscreen as a woman?), Christopher Walken, and Michelle Pfeiffer. Part of what makes Hairspray so powerful is the exceptio! nal music composed by Marc Shaiman, including songs newly comp! osed for the movie like "Ladies' Choice," "The New Girl in Town," and "Come So Far," and the awesome vocal talents of Queen Latifah (Motormouth Maybelle) and a cast of heretofore musically-unknown actors like Nikki Blonsky, Zac Efron, and Brittany Snow who really can sing. Notable trivia includes Jerry Stiller's appearance in both versions of the film (as Wilbur in the 1988 film and as Mr. Pinky in this 2007 rendition), and a cameo appearance by 1988 director and screenplay writer John Waters. Hairspray is one of the best films of the year--it's powerfully moving entertainment that leaves you energized and motivated to fight for what you believe in. --Tami Horiuchi

James Bond Ultimate Edition - Vol. 1 (The Man with the Golden Gun / Goldfinger / The World Is Not Enough / Diamonds Are Forever / The Living Daylights)

• Box Set

ENOUGH - DVD MovieRidiculous, manipulative, and utterly irresistible, this push-button thriller instantly qualifies as a guilty pleasure, even when you know it's just a B-movie potboiler with moxie to spare. Taking a savvy clue from Ashley Judd's Double Jeopardy and any number of endangered-female melodramas from Hollywood's golden age, Jennifer Lopez stars as a blue-collar beauty who marries the really wrong guy (Billy Campbell). Eventually, of course, she discovers his philandering and spends the rest of the movie in nomadic flight from his hot-tempered brutality. Bankrolled by her estranged father (Fred Ward), she protects her young daughter, but knowing she must face the inevitable showdown with Campbell, she buffs up with Krav Maga self-defense courses and... well, we won't spoil the "surprise." With Campbell doing everything but twirl his mustache, this sham! eless provocation is beneath the talents of director Michael Apted, but with J. Lo in charge, it's a revenge fantasy that's guaranteed to please. --Jeff Shannon

Money has great power in our lives. Used wisely, it is one key to accomplishing our goals, providing for our needs, and fulfilling our life purpose. In recent years, many of us ignored the wisdom of the past when it came to managing and spending our money. Credit card debt soared, savings rates plummeted, and our home equity became something to be tapped into and spent rather than a source of security in retirement. We felt an insatiable desire for more. And we found ourselves spending tomorrow’s money today in order to have what we hoped would satisfy. The result of all of this was not greater happiness and satisfaction, but greater stress and anxiety.

Enough is an invitation to rediscover the Bible’s wisdom when it comes to prudent financial practices. In these pages are found the keys! to experiencing contentment, overcoming fear, and discovering! joy thr ough simplicity and generosity. This book could change your life, by changing your relationship with money.  

“We Americans love our stuff. We’re living in a fast-paced, me-first, instant-gratification world, and it’s finally catching up to us. Debt is out of control, homes are in foreclosure  ... even banks are going out of business. What the world needs today is the message of contentment and simplicity, and that’s exactly what Pastor Adam Hamilton delivers in Enough.”
Dave Ramsey, New York Times Best-Selling Author and Nationally Syndicated Radio Talk Show Host 

“Once again, Adam Hamilton is leading the church; ‘Enough is enough’ was once a Wesleyan watchword. Adam breathes new life into the Wesleyan commitment to simplicity. Amid a culture of greed and conspicuous consumption Adam calls us to a biblically based, evangelical j! oy of having the faith to say ‘enough is enough.’”
Bishop Will Willimon
United Methodist Church, Birmingham Area

“I pay close attention to whatever Adam Hamilton writes. His books are marked by extraordinary pastoral insight, biblical and theological depth, courage to speak the truth, and down-to-earth practicality. Enough comes like an antidote in the middle of a pandemic. I hope that classes, groups, couples, and individuals will use this bookâ€"and the economic crisis it addressesâ€"as a challenge to get healthy again by deepening our discipleship in the vital area of money and possessions.”
Brian McLaren, Author/Networker (brianmclaren.net)

No Description Available.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 16-SEP-2003
Med! ia Type: DVDRidiculous, manipulative, and utterly irresist! ible, th is push-button thriller instantly qualifies as a guilty pleasure, even when you know it's just a B-movie potboiler with moxie to spare. Taking a savvy clue from Ashley Judd's Double Jeopardy and any number of endangered-female melodramas from Hollywood's golden age, Jennifer Lopez stars as a blue-collar beauty who marries the really wrong guy (Billy Campbell). Eventually, of course, she discovers his philandering and spends the rest of the movie in nomadic flight from his hot-tempered brutality. Bankrolled by her estranged father (Fred Ward), she protects her young daughter, but knowing she must face the inevitable showdown with Campbell, she buffs up with Krav Maga self-defense courses and... well, we won't spoil the "surprise." With Campbell doing everything but twirl his mustache, this shameless provocation is beneath the talents of director Michael Apted, but with J. Lo in charge, it's a revenge fantasy that's guaranteed to please. --Jeff ShannonJohn Bogle puts our obsession with financial success in perspective

Throughout his legendary career, John C. Bogle-founder of the Vanguard Mutual Fund Group and creator of the first index mutual fund-has helped investors build wealth the right way and led a tireless campaign to restore common sense to the investment world. Along the way, he's seen how destructive an obsession with financial success can be. Now, with Enough., he puts this dilemma in perspective.

Inspired in large measure by the hundreds of lectures Bogle has delivered to professional groups and college students in recent years, Enough. seeks, paraphrasing Kurt Vonnegut, "to poison our minds with a little humanity." Page by page, Bogle thoughtfully considers what "enough" actually means as it relates to money, business, and life.

• Reveals Bogle's unparalleled insights on money and what we should consider as the true treasures in our lives
• Details the values we should emula! te in our business and professional callings
• Contains thoug! ht-provo king life lessons regarding our individual roles in society

Written in a straightforward and accessible style, this unique book examines what it truly means to have "enough" in world increasingly focused on status and score-keeping.
Amazon.com Exclusive: William J. Bernstein on Enough
William Bernstein, Ph.D., M.D. is the critically acclaimed author, financial theorist and historian whose books include A Splendid Exchange: How Trade Shaped the World, The Birth of Plenty, The Four Pillars of Investing, and The Intelligent Asset Allocator. Bernstein is frequently quoted in national publications, including The Wall Street Journal, Barron's, Money, and Forbes.

If you are wondering about the cause of the current market crisis, th! en you haven't been reading enough of Jack Bogle.

Because he certainly knows not only where, but why and how. For decades Jack has been communicating his disquiet in previous books, speeches, and public testimony. Years from now, when historians and investors dissect the economic and market meltdowns of 2008, they'll consult this slim, well-written volume.

In order to understand the intellectual and moral platform from which he surveys the economic wreckage, you need to know a little of his story. Bogle founded one of the world's great investment companies, the Vanguard Group. Most men in his situation would have levered such success into a multi-billion-dollar net worth; instead, he "mutualized" Vanguard, converting it, in effect, into a nonprofit organization whose only goal was to benefit its fund holders. From an ethical perspective, Vanguard is the only "investment company" worthy of that name. (As opposed to most financial firms, which are in fact "m! arketing companies" whose main purpose is to milk unwitting in! vestors of fees and commissions.)

The answer to the conundrum of 2008 lies in the book’s title, "Enough," which is the punch line from a delightful Kurt Vonnegut/Joseph Heller story. Simply put, our nation has been suffering from decades of unchecked financial excess, for which we are now paying the piper: excess in investment company fees; excess in financial speculation masquerading as diversification and innovation; excess in the salaries of top executives; excess in salesmanship; and most importantly, excess in the role played by the financial industry in our national economy and national life.

Each of these excesses gets its own chapter, and each one is a tightly written gem. Chapters 2 and 3, which dissect out the frenzy of derivatives, structured vehicles, and layers of intermediation behind the recent collapse, alone justify the book's purchase price.

As Bogle states in the book's beginning, in the spring of 2007 the financial services sector--which! , after all, produces nothing of substantive value--accounted for one-third of the earnings of the S&P 500. By the time you read this, this outsized influence will have shrunken drastically. Let Enough be your welcome to the brave new world; it will satisfy your curiosity, give you a sense of moral balance in this most materialistic of ages, and even plump up your investment portfolio.

--William J. Bernstein

---

Product Description

Written by John C. Bogleâ€"the legendary founder of the Vanguard Mutual Fundâ€"Enough. offers his unparalleled insights on money, the values we should emulate in our business and professional callings, and what we should consider as the true treasures in our lives. Inspired in large measure by the hundreds of lectures Bogle has delivered to professional groups and college students in recent years, this book will! help you discover what it really means to have "enough" and h! ow close you are to really having it.Disc 1: *Goldfinger (1964) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Guy Hamilton Audio Commentary Featuring Cast and Crew

Disc 2: **Goldfinger Bonus Disc DECLASSIFIED: MI6 VAULT Sean Connery From the Set of Goldfinger Screen Tests On Tour With the Aston Martin DB-5 Honor Blackman Open-Ended Interview 007 MISSION CONTROL Interactive Guide Into the World of Goldfinger The Making of Goldfinger The Goldfinger Phenomenon Original Publicity Featurette MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

Disc 3: *The World Is Not Enough (1999) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Michael Apted Audio Commentary Featuring Peter Lamont, David Arnold and Vic Armstrong

Disc 4: **The World Is Not Enough Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes and Alternate Angles With Introductions by Director Mic! hael Apted Alternate Angle, Expanded Angle Scene: The Thames Boat Chase James Bond Down River - Original 1999 Featurette Creating an Icon: Making the Teaser Trailer Hong Kong Press Conference 007 MISSION CONTROL Interactive Guide Into the World of The World Is Not Enough The Making of The World Is Not Enough Bond Cocktail Tribute to Desmond Llewelyn Garbage 'The World Is Not Enough' Music Video The Secrets of 007 MINISTRY OF PROPAGANDA Original Trailer & Photo Gallery

Disc 5: *Diamonds Are Forever (1971) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew

Disc 6: **Diamonds Are Forever Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes Sean Connery 1971: The BBC Interview Lesson # 007: Close Quarter Combat Deleted Footage - Oil Rig Attack Satellite & Explosions Test Reel Alternate & Expanded Angles 007 007 MISSION CONTROL Interactive Guide Into the World of Diamonds! Are Forever Inside Diamonds Are Forever Cubby Broccoli - Th! e Man Be hind Bond MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

Disc 7: *The Man With The Golden Gun (1974) **The Man With The Golden Gun Bonus Disc Newly Recorded Audio Commentary Featuring Sir Roger Moore THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director Guy Hamilton and Members of the Cast and Crew

Disc 8: DECLASSIFIED: MI6 VAULT Roger Moore and HervÃ(c) Villechaize - The Russell Harty Show On Location With The Man With the Golden Gun Guy Hamilton: The Director Speaks Girls Fighting American Thrill Show Stunt Film The Road to Bond: Stunt Coordinator W.J. Millian Jr. 007 MISSION CONTROL Interactive Guide Into the World of The Man With the Golden Gun Inside The Man With the Golden Gun An Original Documentary Double-O Stuntmen: A Look at the Greatest Stunts and Stunt Performers in the Bond Films MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communicat! ions

Disc 9: *The Living Daylights (1987) THE COMPLETE SPECIAL FEATURES LIBRARY: MISSION DOSSIER Audio Commentary Featuring Director John Glen and Members of the Cast and Crew

Disc 10: **The Living Daylights Bonus Disc DECLASSIFIED: MI6 VAULT Deleted Scenes With Introduction by John Glen Happy Anniversary, 007 Silver Anniversary Featurettes Timothy Dalton: The New James Bond/Vienna Press Conference Timothy Dalton: On Acting Dalton and d'Abo Interviews The Ice Chase Outtakes - Deleted Footage With Director John Glen Narration 007 MISSION CONTROL Interactive Guide Into the World of The Living Daylights Inside The Living Daylights Ian Fleming: 007's Creator a-ha 'The Living Daylights' Music Video The Making of 'The Living Daylights' Music Video MINISTRY OF PROPAGANDA Original Trailers, TV Spots, Photo Gallery & Radio Communications

Hot Rods to Hell

• The Phillips Family is chased by rowdy teenagers on their way through California. Runtime: 92 mins Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569797284 UPC: 012569797284 Manufacturer No: 79728

Andy Samberg stars as Rod Kimble, a stuntman with a fake mustache and a dream, in this outrageous comedy so unpredictable you won't know what hit you! Rod has never landed a jump without wiping out. His family and friends think he's a joke. And, to top it off, his stepfather Frank uses him as his own personal pinching bag. But he's not going to let a few minor problems keep him from the biggest stunt of his life!

Co-starring Isla Fisher and Ian McShane, Hot Rod is "very, very funny from start to finish" and scales the heights of hilarity as Rod defies death to win the money, win the girl and, ultimately, win some respect. After making a name for himself on SNL through a! series of shorts, particularly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod i! s the kind of slapdash comedy that neglects to provide its her! o with a n age, a job, or even a hometown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass. After making a name for himself on SNL through a series of shorts, particul! arly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash come! dy that neglects to provide its hero with an age, a job, or ev! en a hom etown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass.After making a name for himself on SNL through a series of shorts, particularly viral video favorite "Lazy Sun! day," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to provide its hero with an age,! a job, or even a hometown. But don't count Samberg out. Given! time, h e may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyStudio: Victor Multimedia-05 Release Date: 10/16/2007 Run time: 60 minutesLike something that rolled out of a garage in Andy Hardy's hometown of Carvel Indiana comes Hot Rod. James Lydon (whose radio and film portrayals of Henry Aldrich were perhaps but a half-block removed from Andy) stars as David Langham, an enterprising youth with an eye for the girls and an ear for a well-tuned high-compression machine. And his dad? He's a sagacious font of advice (Art Baker) who happens to be a small town judge. The film, which combines the excitement of tire-singing speed with a cautionary message about the perils ! of street racing, would see a stream of redlining exploitation flicks in its rearview, Hot Rod Girl, Hot Rod Gang and Hot Rods to Hell among them.

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HOT RODS TO HELL - DVD Movie

Fuel

• Josh Tickell s stirring, radical and multi-award winning FUEL may be known by some as the little energy documentary, but in truth, it s a powerful portrait of America s overwhelming addiction to, and reliance on, oil. Having been born and raised in one of the USA s most oil producing regions, he saw first-hand how the industry controls, deceives and damages the country, its people and the environm

Best Of Fuel features all the group's greatest hits including 'Hemorrhage (In My Hands)', 'Last Time', 'Falls On Me' and 'Jesus Or A Gun'. Epic. 2005.Eleven years in the making, FUEL is the in-depth personal journey of filmmaker and eco-evangelist Josh Tickell, who takes us on a hip, fast-paced road trip into America s dependence on foreign oil. Combining a history lesson of the US auto and petroleum industries and interviews with a wide range of policy makers, educators, and activists such as Woody! Harrelson, Sheryl Crow, Neil Young and Willie Nelson. Animated by powerful graphics, FUEL looks into our future offering hope via a wide-range of renewable energy and bio-fuels. Winner of the Sundance Audience Award.