HOSTEL PART II 2 "D" 27X40 ORIGINAL S/S MOVIE POSTER

• 27x40 inches (approximate dimensions).
• Poster is single sided.
• This poster is an authentic original movie theater poster issued by the studio.
• Makes a great gift!

Director Eli Roth's blood-soaked follow-up to his sleeper horror hit focuses on a trio of American college girls whose tour of Eastern Europe lands them in the first film's depraved Slovakian torture den and the two wealthy Yanks lucky enough to be the highest bidders in the auction to stalk and kill them. Lauren German, Heather Matarazzo, Bijou Phillips, Roger Bart, Richard Burgi, and Jay Hernandez star. Unrated director's cut; 95 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround; Subtitles: English, French, Spanish; deleted scenes; featurettes; interview; audio commentary; TV special; more.With repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovakian factory where European students are kidnapped, tortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festi! vals and luxurious hot springs, the girls slip away one by one! , until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays homage to Hostel 2's schlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonDirector Eli Roth's blood-soaked follow-up to his sleeper horror hit focuses on a trio of American college girls whose tour of Eastern Europ! e lands them in the first film's depraved Slovakian torture den and the two wealthy Yanks lucky enough to be the highest bidders in the auction to stalk and kill them. Lauren German, Heather Matarazzo, Bijou Phillips, Roger Bart, Richard Burgi, and Jay Hernandez star. 95 min. Widescreen; Soundtracks: English PCM 5.1, English Dolby Digital 5.1, Dolby Digital stereo, French Dolby Digital 5.1; Subtitles: English (SDH), Chinese, French, Korean, Portuguese, Spanish, Thai; deleted scenes; featurettes; interview; audio commentary; TV special; more.With repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in and around a Slovaki! an factory where European students are kidnapped, tortured, an! d killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack and cinematography! set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays homage to Hostel 2's schlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonStudio: Sony Pictures Home Ent Release Date: 04/22/2008 Run time: 95 minutes Rating: UrWith repulsion levels at least comparable to Cannibal Holocaust, Herschell Gordon Lewis' Blood Feast, and other gory slasher landmarks, Eli Roth's Hostel 2 reconfigures ideas of violence to test how down and dirty a horror film can get. The film raises the stakes, leaving those who wish to make a sicker film out in the lurch for the time being. This sequel, like the first Hostel, is set in a! nd around a Slovakian factory where European students are kidn! apped, t ortured, and killed by rich businessmen who pay enormous sums to experience death firsthand. An international elite, all tattooed with a bulldog insignia, bid on young people to slaughter in a mob-organized, high-end, sex-slave trade catering to those with a death fetish. In Hostel 2, three girls from Rome, Beth (Laura German), Whitney (Bijou Phillips), and Lorna (Heather Matarazzo), are lured to Slovakia by a sultry, vampiric hottie (Vera Jordonova) who modeled for them in figure drawing class. Sidetracked and disoriented by some Pagan Slovakian festivals and luxurious hot springs, the girls slip away one by one, until the film moves inside the torture chambers. One client sits in a bathtub beneath her victim, who she slices with a scythe to bathe in blood, Elizabeth Bathory-style. Body parts fly as clients entering the facilities select their weapons of choice in a room full of knives, power tools, and rubber clothing. As ridiculous as it sounds, haunting soundtrack! and cinematography set a disturbing mood. Morbid humor, for example when a chainsaw unplugs centimeters from a victim's face, pays homage to Hostel 2's schlocky predecessors. Fortunately, one survivor remains, providing an ounce of vengeful, and sexy, satisfaction. As in the best exploitation films, gratuitous sex and violence are the norm here. What will be a warning to some to avoid this gruesome movie will be to others a cue to head straight to the theater. --Trinie DaltonThis digital document is an article from CineAction, published by CineAction on December 22, 2009. The length of the article is 8545 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Torture porn and bodies politic: post-Cold War American perspectives in Eli Roth's Hostel and Hos! tel: Part II.(GLOBAL CINEMA)(Critical essay)
Author! : Jerod Ra'Del Hollyfield
Publication: CineAction (Magazine/Journal)
Date: December 22, 2009
Publisher: CineAction
Issue: 78 Page: 23(9)

Article Type: Critical essay

Distributed by Gale, a part of Cengage LearningHOSTEL PART II (w/ DC) (DVD MOVIE)Poster will be rolled in a plastic sleeve and then shipped inside a custom made thick tube for extra protection.

Dorian Blues

• Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). He s an outcast and the butt ofmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes

Witty, knowing and immensely entertaining, Dorian Blues is a delightfully off-kilter coming-of-age tale from debut writer-director Tennyson Bardwell. Adolescence is proving a pain for Dorian (Michael McMillian). Hes an outcast and the butt of classmates jokes at high school, and his football hero brother (Lea Coco) is constantly rescuing him. But everything finally begins to make sense when he realizes that hes gay. Before his archconservative dad (Steven C. Fletcher, in a hilarious role) can throw ! him out of the house, hes off to NYU where he encounters a new world of cafes, sophisticates and handsome men but this life proves just as frustrating as his world back home.Like That 70's Show and Napolean Dynamite, director Tennyson Bardwell's debut feature, Dorian Blues, stylishly contemplates the hellishness of high school in the '70s, but through a gay protagonist. Dorian Lagatos (played by Michael McMillan) is raised by Nixon-loving conservatives, and his manly brother is star of the football team, so it's difficult for him to admit, even to himself, that he is gay. Coming-out scenes construct a picture that is wrought by fear made into dry comedy. Dorian cries to himself in the middle of the night, gets beat up in the school halls, falls in love with his male therapist, talks to a dummy in order to practice breaking the news to his father, and tries to learn how to fight his brother when he finds out that Dorian is a "sissy." When Dorian leaves f! or New York, he meets his first boyfriend, and befriends a viv! acious l esbian named El. Scenes in S&M clubs, coffee bars, and New York lofts show Dorian slowly coming to terms with his true identity. The film's opening and closing shots take place at the cemetery during Dorian's father's funeral, accentuating not only the hatred Dorian feels for this stubborn man, but also the anger and fear Dorian harbors for himself. Ultimately, he must obliterate this order to find real happiness. Dorian Blues is a study in self-confidence, made funny by familiar scenes that teenagers struggling to fit in will know all too well.--Trinie Dalton