- The Star Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style A
- The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
- Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
- Size is provided by the manufacturer and may not be exact
- Packaged with care and shipped in sturdy reinforced packing material
The Inventive Peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse, when on a summer's day in 1560 a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the Continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenea! n village where the impostor was executed more than 400 years ago.
Now a noted historian, who served as consultant for a new French film on Martin Guerre, has searched archives and lawbooks to add new dimensions to a tale already abundant in mysteries: we are led to ponder how a common man could become an impostor in the sixteenth century, why Bertrande de Rols, an honorable peasant woman, would accept such a man as her husband, and why lawyers, poets, and men of letters like Montaigne became so fascinated with the episode.
Natalie Zemon Davis reconstructs the lives of ordinary people, in a sparkling way that reveals the hidden attachments and sensibilities of nonliterate sixteenth-century villagers. Here we see men and women trying to fashion their identities within a world of traditional ideas about property and family and of changing ideas about religion. We learn what happens when common people get involved in the workings of the criminal courts in t! he ancien régime, and how judges struggle to decide wh! o a man was in the days before fingerprints and photographs. We sense the secret affinity between the eloquent men of law and the honey-tongued village impostor, a rare identification across class lines.
Deftly written to please both the general public and specialists, The Return of Martin Guerre will interest those who want to know more about ordinary families and especially women of the past, and about the creation of literary legends. It is also a remarkable psychological narrative about where self-fashioning stops and lying begins.
One of the greatest childhood fantasies ever is captured in Irwin Allen's colorful, all-star production adapted from Lewis Carroll's Alice's Adventures in Wonderland. Steve Allen wrote the jolly, witty songs and more than a dozen Hollywood stars join in the ! wondrous fun. Alice is looking for a way home. And happy to be! welcome d into yours.The king of 1970s disaster movies, producer Irwin Allen, brought together novelist Paul Zindel, songwriter Steve Allen, and a host of celebrities for a pair of 1985 TV movies paying homage to Lewis Carroll's Alice. In this first installment, the 7-year-old girl dreams of being grown up enough to join the adults for tea, only to shrink to miniature size, climb through a hole beneath the door, and follow a twitchy Red Buttons in big white rabbit ears. Whether arguing with the Mad Hatter (Anthony Newley), or trying to keep her head in the company of the Queen of Hearts (Jayne Meadows), Alice is constantly running into a host of '70s and '80s personalities like Telly Savalas, Ringo Starr, Scott Baio, and Shelley Winters. If this roster isn't enough to make a poor girl trippy, she also meets up with Sammy Davis Jr. as the caterpillar, and the pair perform an entertaining hip-hop-esque tap number to "Father William." An enjoyably campy version of A! lice's wondrous journey, it features detailed sets, marvelously tacky costumes, and mildly clever musical numbers. This 90-minute TV movie's pleasant goofiness will amuse children 4 and older as well as nostalgically minded adults. The TV movie has been broken into two parts on video with Alice Through the Looking Glass picking up where this one leaves off. --Kimberly Heinrichs The king of 1970s disaster movies, producer Irwin Allen, brought together novelist Paul Zindel, songwriter Steve Allen, and a host of celebrities for a pair of 1985 TV movies paying homage to Lewis Carroll's Alice. In this first installment, the 7-year-old girl dreams of being grown up enough to join the adults for tea, only to shrink to miniature size, climb through a hole beneath the door, and follow a twitchy Red Buttons in big white rabbit ears. Whether arguing with the Mad Hatter (Anthony Newley), or trying to keep her head in the company of the Queen of Hearts (! Jayne Meadows), Alice is constantly running into a host of '7! 0s and ' 80s personalities like Telly Savalas, Ringo Starr, Scott Baio, and Shelley Winters. If this roster isn't enough to make a poor girl trippy, she also meets up with Sammy Davis Jr. as the caterpillar, and the pair perform an entertaining hip-hop-esque tap number to "Father William." An enjoyably campy version of Alice's wondrous journey, it features detailed sets, marvelously tacky costumes, and mildly clever musical numbers. This 90-minute TV movie's pleasant goofiness will amuse children 4 and older as well as nostalgically minded adults. The TV movie has been broken into two parts on video with Alice Through the Looking Glass picking up where this one leaves off. --Kimberly Heinrichs
As she did with Martin Guerre, Natalie Zemon Davis here retrieves individual lives from historical obscurity to give us a window onto the early modern world. As women living in the seventeenth century, Glikl bas Judah Leib, Marie de l'Incarnation, and Maria Sibylla ! Merian, equally remarkable though very different, were not queens or noblewomen, their every move publicly noted. Rather, they were living "on the margins" in seventeenth-century Europe, North America, and South America. Yet these women--one Jewish, one Catholic, one Protestant--left behind memoirs and writings that make for a spellbinding tale and that, in Davis' deft narrative, tell us more about the life of early modern Europe than many an official history.
All these women were originally city folk. Glikl bas Judah Leib was a merchant of Hamburg and Metz whose Yiddish autobiography blends folktales with anecdotes about her two marriages, her twelve children, and her business. Marie de l'Incarnation, widowed young, became a mystic visionary among the Ursuline sisters and cofounder of the first Christian school for Amerindian women in North America. Her letters are a rich source of information about the Huron, Algonquin, Montagnais, and Iroquois peoples of Quebec! . Maria Sibylla Merian, a German painter and naturalist, produ! ced an i nnovative work on tropical insects based on lore she gathered from the Carib, Arawak, and African women of Suriname. Along the way she abandoned her husband to join a radical Protestant sect in the Netherlands. Drawing on Glikl's memoirs, Marie's autobiography and correspondence, and Maria's writings on entomology and botany, Davis brings these women to vibrant life. She reconstructs the divergent paths their stories took, and at the same time shows us each amid the common challenges and influences of the time--childrearing, religion, an outpouring of vernacular literature--and in relation to men.
The resulting triptych suggests the range of experience, self-consciousness, and expression possible in seventeenth-century Europe and its outposts. It also shows how persons removed from the centers of power and learning ventured in novel directions, modifying in their own way Europe's troubled and ambivalent relations with other "marginal" peoples.
The Star Poster! (11 x 17 Inches - 28cm x 44cm) (1953) Style A reproduction poster printCAST: Bette Davis, Sterling Hayden, Natalie Wood, Warner Anderson, Minor Watson; DIRECTED BY: Stuart Heisler; PRODUCER: Bert E. Friedlob;
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