- Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomou
Agnes and his brothers have little in common except an eccentric father, relationship problems that are totally screwing up their lives, and a distinct possibility those two things are connected. Sex addict /meek librarian Hans-Jörg can't stop peeping on comely women. Werner, a successful politician, watches powerlessly as his bored wife and smartass son destroy their family. And Agnes, a transsexual, can't quite fit into the mold of happy homemaker expected by her bossy boyfriend. An outrageous ! story of how everyday desires for sex, love and understanding can end up pushing people closer and closer to the edge.Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on German drama films.Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face. Bacall is Ire! ne Jansen, Vincent's lone ally. In a supporting role, Agnes Mo! orehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional, too, are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is." So do we. - 1947This gimmicky film noir stars Humphrey Bogart as an escaped criminal who undergoes plastic surgery and holes up at the home of Lauren Bacall's character while healing and preparing to prove his innocence. If you can last through the first half-hour of this thing--which is shot entirely from the subjective view of Bogart's bandaged face, which we don't see until later--you might find ample reason in the stars' performances to stick around for the conclusion. But director Delmer Daves (
A Summer Place) tests a viewer's endurance with such an obvious, attention-getting ploy. The least of the Bogart-Bacall vehicles (The Big Sleep,To Have and Have Not, Key Largo). --Tom Keogh
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